| "Blame it on the Bossa Nova" | ||||
|---|---|---|---|---|
Eydie Gormé on album cover |
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| Single by Eydie Gormé | ||||
| from the album Blame it on the Bossa Nova | ||||
| A-side | Blame It on the Bossa Nova | |||
| B-side | Guess I Should Have Loved Him More | |||
| Released | March 1963 | |||
| Format | 7" single | |||
| Genre | Traditional pop, rock and roll | |||
| Length | 2:25 | |||
| Label | Columbia | |||
| Writer(s) | Cynthia Weil and Barry Mann | |||
| Producer | Al Kasha | |||
| Eydie Gormé singles chronology | ||||
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"Blame It on the Bossa Nova" is the title of a song written by Cynthia Weil (lyrics) and Barry Mann which was a 1963 hit single for Eydie Gormé, reaching #7 on the Hot 100 in Billboard in March 1963.
Produced by Al Kasha who had been responsible for the #1 hit "Go Away Little Girl" by Gormé's husband Steve Lawrence, "Blame It on the Bossa Nova" featured backing vocals by The Cookies. "Blame It on the Bossa Nova" merges the sensibilities of the Brill Building Sound with the Latin music which Gormé had previously specialized in, as the song describes a romantic relationship inaugurated by a couple dancing to the bossa nova - "the dance of love." The bossa nova is a Brazilian music style which, with its associated dancing forms, had enjoyed a vogue in the U.S from the late 1950s.
"Blame It on the Bossa Nova" was an international hit for Gormé, reaching #1 in Australia, South Africa and Sweden and #2 in Norway. In the UK the single reached #32. Rendered in Spanish by Gormé as "Cúlpale a la bossa nova",[1] the track sold 250,000 units in Spain and Latin America and 100,000 units in Italy.[2]
Gormé consequently recorded several Top 40-oriented releases but "Blame It on the Bossa Nova" would be her last solo Top 40 hit. Although partnered with Lawrence as Steve & Eydie she reached #28 and #35 with respectively "I Want To Stay Here" and "I Can't Stop Talking About You" in 1964. Gormé reached #43 with Mann-Weil's "I Want You to Meet My Baby" in September 1964; that track's B-side : "Can't Get Over (the Bossa Nova)", written by Gormé and Lawrence with Marilyn Gins, gained enough attention to chart at #87. Gormé subsequently shifted back to the easy listening musical style of her the first phase of her career.
"Blame It on the Bossa Nova" was also recorded by Caterina Valente for her 1965 album Latin Melodies Old and New (featuring Edmundo Ros) and by Cliff Richard for his 1966 album Kinda Latin.
A recording of the song by Manuela, with lyrics in German as "Schuld war nur der Bossa Nova" written by Georg Buschor, was at German Charts for 27 weeks (21 weeks Top 10) during the period 27 April - 2 November 1963, peaking at #1 for five weeks.
Lola Novaković recorded the Serbian rendering "Bosa Nova" in 1964.
A recording by Anna-Lena Löfgren, with lyrics in Swedish as "Det finns ingenting att hämta" written by Stig Andersson, was at Svensktoppen for 11 weeks during the period 14 May - 23 July 1967, peaking at #3.[3] Another recording of the Swedish language version by Lotta Engbergs in 1997 appeared on the album "Tolv i topp", and as "B-side" for the 2000 single "En liten stund på Jorden".[4] In Québec, the song was recorded in French by Margot Lefebvre as "C'est la faute au bossa nova", written by Pierre Nolès.
The song has appeared from time to time in television programs, commercials, and films, often for comic effect. For example, in the TV show The West Wing, new White House Assistant Counsel Ainsley Hayes (played by Emily Procter) is dancing joyfully to the Gormé recording, wearing a bathrobe, and drinking a cocktail to celebrate a successful television appearance when she is shocked to see President Jed Bartlet (Martin Sheen) enter her office to meet her for the first time. Former San Francisco 49ers head coach George Seifert performs the song Karaoke-style in a Visa commercial that aired during the 1990s.
Movie soundtrack appearances for "Blame It on the Bossa Nova" include The Big Picture (1989), Mermaids (1990) and Doubt (2008). "Blame It on the Bossa Nova" is also featured in episode seven of the first season of the HBO program Big Love.[5] It is playing on the car stereo when character Alby Grant solicits a male prostitute.